Migrated here from my old account at lemmy.fmhy.ml

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Joined 11 months ago
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Cake day: July 29th, 2023

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  • As a frequent Discogs user, this new fee change is so infuriating. I’m sure these changes aren’t as big for US or EU-based buyers, but the shipping fees I get in Singapore were very large even before this change, usually 2 or 3 times the cost of the item itself. Nowadays, there are some sellers who flat out refuse to sell items to me, specifically because of the fees. And this is just with CDs and cassettes, which have smaller shipping costs than a 12" record…

    The problem is, I don’t really have any choice for getting used music. eBay has limited stock and even crazier shipping rates, especially if you want a specific edition of an album. I’ve heard talk of some sellers moving to Etsy, but if they have, they’re not showing up. And the few physical stores left here mostly carry stock in mainstream albums. So I mostly have to suck it up if I want a rare album, and pay the exorbitant costs :/






  • This week, TON Foundation announced that it’s forged a partnership with Tencent Cloud, which has “already successfully supported TON validators and plans to expand its services further to help meet TON’s high compute intensity and network bandwidth needs.” Validators, in web3 lingo, are participants that help authenticate transactions in a blockchain network.

    It looks like the partnership with Tencent only extends to their Web3 blockchain thing, and there doesn’t seem to be any partnership in the main app so it’s not the end of the world - at least, for now.

    Also, what even is this TON blockchain? I never knew Telegram had anything to do with crypto :/




  • It’s not so simple, unfortunately. The sheer amount of data they have - 212 PB as of December 2021 - makes it practically impossible for most people to mirror. Unless they physically hand over all 745 server nodes to another operator, there’s no way of someone

    There are some solutions to this - for example Archive-Team has proposed a method of mirroring the Internet Archive using distributed clients, although this method currently only has a fraction of the total dataset. Still, at this point in time, there’s no real solution to resharing IA’s data in the event they go under




  • Didn’t know that YouTube had 160kbps audio… I checked a auto-generated upload on yt-dlp, and while it had an Opus stream, all of the audio streams were encoded at 128kbps.

    Both Opus and properly-encoded AAC audio should be virtually indistinguishable from the original source, but I do believe that Opus performs slightly worse in blind ABX testing. Again, you’d barely be able to tell the difference, so sound quality is basically the same.

    (As for encoding, I believe that YouTube uses the source audio if it’s already encoded as AAC, which most video editors do by default, and music distributors send the same lossless source to YouTube as they do to Spotify, so I don’t think re-encoding will make a difference)