At first this article reads like your typical anti-piracy screed. It rants about how 10x more people watched GoT illegally (confusing them with lost sales) and ends with how downloading movies can get your credit card stolen.

The middle of the article however, destroys the author’s case.

Time Warner (owning company of HBO) CEO Alan Bewkes stated in 2013 how becoming the most illegally streamed show in history was “better than an Emmy” and that torrenting ultimately led to more paid subscriptions.

“We’ve been dealing with this for 20, 30 years—people sharing subs, running wires down the backs of apartment buildings. Our experience is that it leads to more paying subs. I think you’re right that Game of Thrones is the most pirated show in the world and that’s better than an Emmy.”

The CEO of Time Warner, who knows more about the finances of his own show than ForeverGeek writer Tom Llewellyn, championed piracy and said that it brought them more subscribers rather than nearly destroying the show as the article claims.

Needless to say, Tom forwent a rebuttal in favor of writing how you can get malware from downloading it…

Anti-Piracy Propaganda: 0 Truth: 1

    • JayPalm@lemmy.world
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      1 year ago

      See, I think that was the plan all along, to totally own all the losers that pirated GoT, by totally spoiling the show for everyone.

      • P03 Locke@lemmy.dbzer0.com
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        1 year ago

        Let’s be real. HBO wanted to hold on to their cash cow for as long as possible, but D&D just shat all over the last season to get that sweet Star Wars cash.

        Nobody was on-board with anything in that last season except D&D, who just wanted to finish it off as fast as possible. Not even the actors.

        • –Phase–@lemmy.dbzer0.com
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          1 year ago

          The hilarious thing is how their own bungling of the last season cost them the Star Wars gig. Maybe if they’d actually put in some effort instead of half assing it, they’d have gotten the job. But then again, the show was on a downward spiral since the end of Season 4, and Dumb and Dumber’s only talent was adapting the books really well (and even then, they still fudged details), so I suppose this was bound to happen.

          • P03 Locke@lemmy.dbzer0.com
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            1 year ago

            Dumb and Dumber’s only talent was adapting the books really well

            Honestly, I want more Hollywood writers who are good at adapting books, instead of hating the source material and doing a terrible job winging it.

            I can’t count the number of TV shows ruined by Hollywood writers usurping the universes from multi-million dollar and very successful source material, just to create their own shitty version themselves. In fact, it’s much easier to adapt source material, so I don’t even understand why they don’t do it out of pure laziness. If they could just drop their fucking egos for a bit, they could be as famous as D&D.

            • –Phase–@lemmy.dbzer0.com
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              1 year ago

              Another recent example of a horrible adaptation of a massive franchise is what Paramount did to Halo with their show. I can’t understand why they keep hiring writers that actively hate the source material and are only interested in taking existing stories and mangling them into their own shitty “vision”. It’s like Hollywood either hates writers who have actual passion for the franchises they’re adapting, or they can’t find them, which can’t be the case since these are beloved universes with millions of fans, many of whom are bound to be writers eager to work on an adaptation. They always hire talentless hacks interested in nothing more than a paycheck and doing what they want, not what the fans want. It’s infuriating.

              • P03 Locke@lemmy.dbzer0.com
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                1 year ago

                Witcher, Foundation, The Stand, Y: The Last Man, Wheel of Time, recent Star Trek, Rings of Power, Legend of the Seeker… the list goes on and on. Sandman is only good because Neil Gaiman is keeping a tight leash on the series.

                And then they cancel the rest that were turning out good, like The Expanse.

                • Wollff@lemm.ee
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                  1 year ago

                  Do you notice a pattern?

                  Every single one of those is either SF or Fantasy.

                  There are a lot of artsy lovers of literature out there who hate exactly those genres, and who have a burning passion to fix all the (perceived) flaws which (in their view) come baked into them.

                  As I see it, that’s a big part of the problem: For the last century “a writer” was always “the literary type”. There were some nerds who pretended to be writers. And those wrote pulp, SF, fantasy, and comics. Those were not real writers. You wouldn’t hire one of those, if you wanted to have a real, well crafted story. At least that has been a rather common prejudice for the last 100 years or so.

                  And now, all of a sudden (over the last 20 years), the most popular franchises, generating the most income, all turned into SF and Fantasy, while eating everything else in their path.

                  In that context, I don’t think the current situation is all that surprising. If you want to hire “a real writer”, there is a good chance that you will hit one who despises what writers were taught to despise for the last hundred years. In an unlucky twist for everyone involved, that also happens to be what they now have to write.

        • TimewornTraveler@lemm.ee
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          1 year ago

          Didn’t the actor who played Tyrion Lannister stand by the ending? I remember him being salty about criticisms of it. Though to be fair it must really suck to have your breakthrough role go up in flames like that. I wouldn’t want to admit it either. Now I can’t even remember the dude’s name. He was supposed to be a beacon of hope for dwarf actors who wanted serious roles, and the role became a joke.

          • P03 Locke@lemmy.dbzer0.com
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            1 year ago

            Maybe that, yeah, but I also remember certain interviews of him being just as passively critical about the last season as Emile Clarke was at the time. As in, he couldn’t really say anything damaging (contractually), but you could tell by the reactions.

            As far as dwarf actors, he really did break out into serious roles in various movies, especially in spots where his dwarfism wasn’t a highlight. But, I think Hollywood just treated him as an exception, instead of changing the framing of how they cast actors, which is extremely disappointing.

        • Venia Silente@lemm.ee
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          11 months ago

          Here’s why I dno’t understand, if D&D wanted to dick away so badly, why didn’t the crew just, like, let them go, and bring in another director that was instead respectable and wouldn’t torch the franchise and run?

          Heck, it can’t be that hard to come up with people who want to direct GOT. Heck, I would have done it.

      • themeatbridge@lemmy.world
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        1 year ago

        You could build a museum of horrible decisions and fill it with the last two seasons of Game of Thrones. Whether you watched it or not, the show was a cultural touchstone, and the ending retroactively ruined everything that came before. Many shows have started well and ended poorly, but I’d argue that GoT was on pace to be an all-time top ten series, and there was absolutely nothing good to say about how it ended. Bad writing, bad acting, bad production values, sloppy editing, poor visual design, it was both rushed and too slow, and nothing made sense. If you paid someone to deliberately fuck up everything about the show, they would not have been as effective at it because it would have been obvious.

      • Jeena@jemmy.jeena.net
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        1 year ago

        That they threw away all the rules they established before like traveling now took 0 hours and soon. All of this because the last book wasn’t written yet so they had to write some story themselves and failed miserably.

        • LEX@lemm.ee
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          1 year ago

          I read an essay where the author argued that in the first few seasons, the GRR Martin material, World events happened and the characters were forced to adapt and react.

          Once the television writers took over, the dynamic flipped so characters’ actions forced the World itself to change and react, which is apparently how most television writing works since television writing revolves mostly around characters.

          That’s a pretty inelegant way to explain it, sorry, but I think the idea feels pretty accurate to me. There is a definite point where you can tell when the staff writers have to start plotting for themselves.

      • emenaman @lemmy.world
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        1 year ago

        Compare it to this… Watching a highly rated chef come up with the most amazing sounding and looking dinner meal over the course of a few hours. You are anxiously awaiting to take a bite and salivating for that moment. When you finally get served your plate and get to that scrumptious first bite, the biggest wave of disappointment hits and you lose your appetite.

        I don’t know how else to explain it

  • NocturnalEngineer@lemmy.world
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    1 year ago

    Zero sympathy. If they wanted to reduce the amount of illegal streamers, all they’ve got to do is make their content more accessible.

    Release it on multiple streaming platforms, not just their own. Ensure its released globally at the same time. And get rid of the geo-blocking.

    The lack of reasonable legal alternatives is what drives piracy.

    • Square Singer@feddit.de
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      1 year ago

      As evidenced by the brief moment in history when Netflix was all that and it drove video piracy all but to extinction.

      • ashok36@lemmy.world
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        1 year ago

        This is the case still with Spotify, apple music, deezer, etc… Multiple services with few if any exclusives means almost all music piracy has stopped. Somehow, the record companies continue to survive.

        • Metacortechs@lemmy.stellarvortex.com
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          1 year ago

          I think we’re going to start to see music services going that way soon, for the first time I’ve started to see that songs in my primary play list are now not available in my region.

          I admit I dont know what songs yet, am on a road trip at the moment, but it makes me worry that it’s going to get worse.

      • 雨 月@feddit.de
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        1 year ago

        That´s so insane, right? I mean, they practically had us in the bag with netflix. People either had their own account or chipped in to use someone elses one BUT EITHER WAY, THEY PAID FOR IT! And then came one of the rare moments where more competition was actually bad.

        • willeypete23@reddthat.com
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          1 year ago

          It’s not the competition that’s bad! It’s the anti competitive laws that allowed it to spoil. Companies saw how profitable Netflix was and pulled their shows from the platform to artificially create a reason for consumers to use their own shitty services. Netflix was no longer able to purchase those titles.

        • pinchcramp@lemmy.dbzer0.com
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          1 year ago

          I think with digital content platforms in general, competition means more headaches for customers.

          The store front/streaming service is not what people sign up for, but the access to a certain movie, show or game. If the catalog of all available pieces of content gets scattered across multiple services you now have to use multiple apps, pay multiple subscription fees and search through multiple catalogs.

          I’d say from a customer’s perspective, increased competition lead to a worse situation.

          • Square Singer@feddit.de
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            1 year ago

            The thing here is that, for the most part, it’s not actually competition, but a collection of monopolies.

            You want to watch show X? You have to go to the streaming service that has the monopoly on show X. It you want to watch that show, in many cases you can’t just substitute it for a different show.

            If you have five stores selling all sorts of food, then that’s competition. If you instead have a butcher, a baker, a candy shop, a dairy shop and a fruits/vegetable shop, that’s splitting the turf. You can’t just substitute the ground beef for your burgers with skittles, because the butcher is more expensive than the candy shop.

            Caveat to this argument: If you really don’t care about what you watch, then these different streaming services really are interchangable competitors and then the competition is good, because e.g. a shared Disney+ account is much cheaper than the now-non-shareable Netflix account.

    • Obsession@sh.itjust.works
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      1 year ago

      I would need even more. Let me buy it digitally. Not streamed, not with some draconian DRM. Just let me buy the MKV files straight from HBO, and I won’t pirate them.

      They have to be aware of how easy it is to rip a blu-ray, yet those are still for sale. So let’s just skip the middleman and give me legal remuxes.

    • Takatakatakatakatak@lemmy.dbzer0.com
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      1 year ago

      Ensure its released globally at the same time

      This was easily the biggest driver. For GOT, I had legal access but I was expected to wait over a month, by which time because the internet - the spoilers would have been completely unavoidable.

  • TimewornTraveler@lemm.ee
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    1 year ago

    Instead it was destroyed by two greedy fucks rushing the ending two seasons early so they could move on to their next cash grab flop!

    • Zorque@kbin.social
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      1 year ago

      I mean, theres more than a few reasons Martin hasn’t finished the books. A major one being that the style of writing doesn’t benefit from ending, its mostly a constant series of escalations without ever resolving anything. At a certain point no resolution will ever be satisfying.

      Not saying the show ending couldn’t have been better, but like shows like Lost or Heroes, or all those shows like that, no ending could ever live up to the hype generated during its run.

  • Evil_Shrubbery@lemmy.zip
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    1 year ago

    TIL 2.2bn in profit is basically poverty profit, not even worth doing it … and all because of them evil pirates who would have totally payed for Netflix if they couldn’t pirate it.

    However, I really loved all the memes and r/freefolk, great stuff that got exponentially better with each season.

  • cooopsspace@infosec.pub
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    1 year ago

    There was a point in time when GOT was only available via an $80 a month pay tv subscription after the earlier seasons were aired on regular television. Once again, piracy is an access issue - not a theft issue.

    • Rearsays@lemmy.ml
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      1 year ago

      Not only was it hard to get the subscription, but it was hard to get it in your country if you weren’t US

  • yunggwailo@kbin.social
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    1 year ago

    The show was destroyed by two mediocre fuck face showrunners who were more interested in harassing the naked extras on set then running the production lol

  • inverimus@lemm.ee
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    1 year ago

    They fail to mention that when GoT started in 2011, HBO wasn’t available at all without a cable TV subscription, so people who had already dropped cable didn’t have any other choice. HBO streaming without cable didn’t become available until 2015.

  • whatsarefoogee@lemmy.world
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    1 year ago

    get your credit card stolen.

    Let’s see… I don’t provide my credit card to anyone when pirating. The only way they are getting my credit card is breaking into my house. (no, mkv files can’t have viruses).

    But I do need to provide my credit card info to HBO, which they store, on their likely poorly secured servers.

    The number of credit cards stones from data leaks very likely exceeds the number of them stolen because someone got duped when trying to pirate.

    • Naia@lemmy.blahaj.zone
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      1 year ago

      I’ve always lived by lord GabeN’s “piracy is a service issue. You have to offer a better experience than the pirates”

      • Holzkohlen@feddit.de
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        1 year ago

        That dude is one in a billion. I am kinda scared what will become of valve once he retires or even dies. I swear to god if I lose access to my steam library I will never buy a single damn piece of media ever again.

  • sebinspace@lemmy.world
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    1 year ago

    As an example, the only reason there was ever any interest in Top Gear stateside was because of piracy. In my youth, that was the only way to watch it, and it showed the BBC that there was an interest, which led to it being made available through legitimate means in the US.

    Piracy isn’t about free shit.

    • driving_crooner@lemmy.eco.br
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      1 year ago

      I don’t remember the band, I think it was Iron Maiden, that discovered that brazillians fucking love them by Napster data and they started touring in Brazil selling entire stadiums full even today. There’s even a joke in Rio de Janeiro about how Iron Maiden visits the Barra de Tijuca area (the place where big concerts are played) more often than regular Rio’s habitats.